Art and Science of Alchemy
The common goals of Alchemy's "alchemists" were the transmutation of common metals into gold or silver and the creation of a "panacea,"—a cure for all diseases and even death. European alchemists of the Middle Ages invested much time and energy into the search for the "Philosopher's Stone,"—a mythical substance believed to be an essential Alchemy ingredient that would enable to achieve at least one, but hopefully both of their goals.
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Historical Alchemy
Historically, Alchemy refers to the investigation of nature and an early philosophical and spiritual discipline that combined elements of chemistry, metallurgy, physics, medicine, astrology, semiotics, mysticism, spiritualism, and art—all believed to be but smaller parts of one, greater force. Alchemy was known to be practiced for at least 2500 years in many parts of the world, including: most of Europe, Mesopotamia, Ancient Egypt, Persia, India, China, Greece, Rome, and in many Muslim societies.
The Alchemists
Alchemists were popular and garnered the support and favor of nobility not so much for their pursuit of their unattainable goals—the mystic and philosophical speculation—but for their mundane contributions to the "chemical" industries of the day: basic metallurgy, metalworking, ink production, dyes, paints, cosmetics, leather tanning solutions and methods, ceramic and glass manufacturing processes, the preparation of extracts and liquors, and so on. These byproducts of their research were valuable contributions to the societies of their day and contributed greatly to the advancement of civilization.
But alchemists never had the intellectual wherewithal to separate the chemical aspects of their craft from the metaphysical interpretations. The lack of common terminology for chemical concepts and processes led alchemists to borrow terms and symbols of biblical and pagan mythology, astrology, kabbalah, and other mystic and esoteric fields so that even the simplest chemical formula read like a magic spell or ritual.
In the Middle Ages, some alchemists began to view the metaphysical aspects of their work as the true foundation of alchemy. Chemical substances, physical states, and material processes came to be viewed as metaphors for spiritual entities, states and transformations or transmutations.
Modern Alchemy
Most modern-day alchemists and some scholars see the spiritual and metaphysical metaphors of the alchemist as the most refined aspect of alchemy, but the development of chemistry out of alchemy as a corruption of the original Hermetic tradition.
Western alchemy has always been closely connected with Hermeticism, a philosophical and spiritual system that traces its roots to Hermes Trismegistus, a syncretic Egyptian-Greek deity and legendary alchemist. These two disciplines influenced the birth of Rosicrucianism, an important esoteric movement of the seventeenth century. In the course of the early modern period, mainstream alchemy evolved into modern chemistry.
For additional information:
- Alchemy: The 11th - 13th Centuries
- Alchemy: The 14th - 16th Centuries
- Alchemy: 16th Century and Earlier
- Alchemy: 17th Century and Later
- Back to Alchemy
- The words of Father Aristeus to his son
- Simon Forman - Of the Division of Chaos
- An Alchemical Mass
- Alchemy in the English State Papers
- The Golden Tractate of Hermes
- Alchemical Catechism of Baron Tschoudy
- The Mirror of Alchemy - Roger Bacon
- Bloomfield's Blossoms
- The practise of Mary the Prophetess in the Alchymicall Art
- An Alchemical poem by Thomas Rawlin
- Summary of the Rosary of Arnold de Villa Nova
- Pontanus - Epistle on the mineral fire
- The Ripley Scroll
- The Turba philosophorum
- Marsilio Ficino on the alchemical art
- Pontanus - The Secret Fire
- Paracelsus - The Book Concerning the Tincture of the Philosophers
- Paracelsus - The Aurora of the philosophers
- Petrus Bonus A form and method of perfecting base metals
- Aula lucis, or, The House of Light by Thomas Vaughan
- Steganographick Collection from Le Tableau des Riches Inventions
- Oswald Croll Preface of Signatures
- Extract from Glauber's Short Book of Dialogues
- Khunrath's Natural Symbolum or short confession
- The names of the Philosophers' Stone by William Gratacolle
- Michael Maier's Atalanta Fugiens
- Extract from Alchymie et le Songe Verde
- A 17th century allegorical alchemical poem by Edmund Dickinson
- 153 Chymical aphorisms of F.M. van Helmont.
- 157 Phylosophick Canons
- The Book of Lambspring
- Edward Kelly's Theatre of Terrestrial Astronomy
- Edward Kelly's The Stone of the Philosophers
- The Light coming out of darkness - Crasselame
- Everard's translation of the Corpus Hermeticum
- Verse on the Threefold Sophic Fire
- The Tomb of Semiramis
- On the Philosophers' Stone
- Thomas Vaughan - Coelum Terrae
- Aesch-Mezareph
- The Iconologia of Cesare Ripa
- Introduction to the Iconologia of Cesare Ripa
- The War of the Knights
- Robert Fludd's Mosaical Philosophy
- The Hermetic Triumph
- An anonymous treatise on the Philosophers' stone
- Jean Albert Belin - The Adventures of an Unknown Philosopher
- Ruland - On the Prima Materia
- The letter of a philosopher concerning the secret of the great work
- The Natural round Physick or Philosophy of the Alchymical Cabalistical Vision
- An hundred aphorisms containing the whole body of magic from Ms. Sloane 1321
- Certain Verses of an Unknown Writer
- from Benedict Figulus
- A Short Enquiry concerning the Hermetic Art
- The Hermetic Arcanum
- Limojon Saint-Didier's Letter to the True Disciples of Hermes
- The Glory of Light
- Place in Space